Spirit Structures

4000 Deviations in Real Time, 2020
HD video loop, no sound (7:00)
Installation view at the exterior of PTX, Athens

4000 Deviations in Real Time, 2020

Installation view at PTX, Athens

Vector 60899, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 7*7 cm
Frame size: 60*80 cm

Vector 60882, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 7*7 cm
Frame size: 60*80 cm

Vector 60702, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 7*7 cm
Frame size: 60*80 cm

Vector 60745, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 7*7 cm
Frame size: 60*80 cm

Installation view at PTX, Athens

Vector 60721, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 7*7 cm
Frame size: 60*80 cm

Vector 60921, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 7*7 cm
Frame size: 60*80 cm

Installation view at PTX, Athens

Vector 60755, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 7*7 cm
Frame size: 60*80 cm

Spirit Structure II, 2022
90*90*9 cm
Marble, nickel/gold-plated PLA

Spirit Structure III, 2022
90*90*9 cm
Marble, nickel/gold-plated PLA

Spirit Structure I, 2022
90*90*9 cm
Marble, nickel/gold-plated PLA

Installation view at PTX, Athens

Vector 09819 (Matrix), 2020
21*15 cm
Photopolymer, stainless steel, oil-ink traces

Vector 50996, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 30*42 cm
Frame size: 150*100 cm

Installation view at PTX, Athens

Vector 50308, 2022 (detail)
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 30*42 cm
Frame size: 150*100 cm

Installation view at PTX, Athens

Vector 50031, 2022
Solar etching (intaglio), oil-ink on cotton paper
Plate size: 30*42 cm
Frame size: 150*100 cm

In Spirit Structures, Petros Moris unfolds a ranging installation of sculptures, etchings and video both inside and outside PTX; a dialogue of works revolving around the entanglements between the material and metaphorical undergrounds of geology, bodies, and psyches. Equally employing both computational and archaic production techniques, machine learning algorithms, makeshift rapid prototyping and intaglio printing, the artist looks at the internal anatomies beneath surfaces and skins – domains that reverberate the processes of animation and transformation, engendered by the fateful interdependencies of earthly and cosmic phenomena.